Instructed by Chris McIntyre
This workshop will be held Online via Zoom.
We will cover audio basics from on set audio capture through to final delivery. We’ll discuss mics, audio recorders, audio formats and levels, DAW software, working with OMF/AAF
files, dialogue clean up/editing and syncing, mixing basics, delivery specs and formats.
The interactive workshop will happen online via Zoom. Chris will present material and then provide demonstrations using industry standard audio software. Students may supply audio files or OMF/AAF files from any recent project they have been working on and Chris will demonstrate his techniques/workflow for all in the workshop to observe.
Students should deliver any files in advance so Chris can have them downloaded and prepped for presentation. Software demonstrations will be done in Pro Tools, Digital Performer, and 3rd party plugins such as Izotope’s RX. Demos may also be done in Davinci Resolve/Fairlight for those looking for an all in one (video and audio) solution that is free.
Audacity could also be demoed if students desired it. Techniques shown in Pro Tools/Izotope RX can be appliedin any DAW.
ABOUT CHRIS MCINTYRE
Chris McIntyre is a musician, composer, audio engineer/producer, and teacher, working out of his studio in Grande Prairie, Alberta, Canada. Chris earned a Bachelor of Music from Brandon University, and has worked professionally as a musician and engineer in numerous roles.
He has been working regularly in theworld of video as a music composer and post audio engineer. Recent projects include composing the score for the series “Life XP“, the score for the documentary “A Typical Heart“, and the score for the short film “ZANDI.”
Chris also creates music for corporate and commercial video work. A recent example is a commercial for the City of Grande Prairie created by The Distillery Film Company, which Chris created the music for. In addition to composing, Chris has been doing arrangement work for Broadway Live Broadway for their recent dramatic productions of The Hunchback Of Notre Dame and Anastasia.
In addition to the role of composer, Chris has taken on audio duties for many film projects ranging from on set audio capture, ADR and dialogue work, VO engineer, audio editor and re-recording mixer.